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I've Always Loved You



I've Always Loved You is a 1946 movie directed by Frank Borzage, written by Borden Chase, and starring Philip Dorn, Catherine McLeod, and Maria Ouspenskaya.

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I love Monster, Zombie & War movies

I love Monster, Zombie & War movies ...I wish this movie could have decided what it wanted to be. Were the real "Horrors of War" your fellow soldiers attitudes? How they treat civilians? The decisions you must make to redeem yourself and save others? Mad Scientists? Nazi Mutant Zombies?  French Werewolfs? Well, I was really hoping for more of the latter 3, (and more gore) but this could have worked as regular a war movie with any Nazi super weapon, the monster element seemed tacked on (especially there whole werewolf part, it seemed very much a pointless sidebar). I'd have rather seen more of a real Monster threat in a war setting.  The monsters came one at a time, and slowly. there wasn't much of a perceived 'Monster threat' leading to a big showdown, the big showdown was...well, awkward. Out of nowhere the Mutant Mad Doc and Werewolf start fighting, and the werewolf dies like a vampire...then after the "sacrificial choice", between a fam...
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The Dancing Masters

The Dancing Masters is a 1943 Laurel and Hardy feature film. The plot involves the team running a ballet school, and getting involved with an inventor. A young Robert Mitchum has an uncredited cameo role as a fraudulent insurance salesman. watch movies online free  
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One of the most gruelling films ever made world_of_weird

Pier Paolo Pasolini, as is well known, was murdered not long after he finished work on this, his most audacious and confrontational film, yet even the most casual viewing of SALO begs the question - had he not been murdered, would he have taken his own life anyway? One of the most gruelling films ever made world_of_weird  Every sequence, every shot and practically every moment of this film is so burdened with despair, barely concealed rage and a towering disgust with the human race, one gets the impression that Pasolini was barely hanging onto life - and any attendant shreds of hope - by his fingernails.  Although ostensibly an adaptation of one of DeSade's most depraved works channeled through the horrifying excesses of the Second World War with the Fascist ruling classes as its (authentically vile) villains, SALO also contains a lot of contemporary criticism - Pasolini hated the modern world, and explained the stomach-churning 'banquet of s**t' as a ...
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